about me
Grace Wilson is a playwright living between Yidinji and Gadigal country, studying a Master of Fine Arts (Dramatic Writing) at NIDA after completing her Bachelor of Humanities (Western Civilisation) at The University of Queensland. At the age of 17, she was the runner-up for the Queensland Theatre Young Playwrightsā Award with her work MY NAME IS TOMMY and won the award in the following year with her work, GOODBYE, ELI ANDERSON. At 21, she was the runner up of the Australian Theatre Festival NYC New Play Award with her work BOGQUEEN.
Grace has gone on to be a finalist in several other major awards including Sydney Theatre Companyās Patrick White Playwrightsā Award 2023, Queensland Premierās Drama Award 2025, Griffin Award 2023, Queensland Writers Centreās Stageable 2024 and Sydney Fringeās Best in Theatre Award 2025, all of which she achieved before 20. She has been published by Jacaranda Journal, Regional Arts Australia, Queensland Writersā Centre, Playlab, ATAR Notes Australia, highly commended for the ABC Heywire Competition and longlisted for the Griffin Award 2024, Premierās Drama Award 2026 and the ATYP Foundation Commission. In 2024, she was commissioned by Queensland University of Technology to write VERY FINE PEOPLE, directed by Wesley Enoch for the Bachelor of Fine Arts (Acting) graduates.
Her production credits include Sydney University Dramatic Society (DOGHOLE), Underground Theatre Company (DOGHOLE), Vena Cava Productions (DOGHOLE), theatrePUNKco (PALLAS SISTER RISING), JB Theatre Co (GIA OPHELIA), KXT Bakehouse (GIA OPHELIA), Observatory Theatre (PONY CLUB) and Queensland University of Technology (VERY FINE PEOPLE).
Grace has also undertaken several playwrighting training programs including JUTE WriteSparks, Queensland Theatreās Young Writersā Ensemble, ATYP Fresh Ink Mentoring and National Studio, and La Boite Assembly. She has also served as Co-Chair of ATYPās Youth Advisory Board.
REVIEWS
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REVIEWS ā³ļø
Wilsonās voice is both fearless and deeply compassionate, marking her as an exciting force in Australian theatre. - Australian Theatre Festival
Grace Wilsonās writing is as delightfully whimsical as it is moving ā effortlessly bouncing from one pithy quip to another as the rollercoaster of highs and lows unfolds on stage ā Australian Arts Review
Wilsonās writing is both witty and cutting, capturing the pressures of being a woman and an artist and the impossible choices between career and domesticity, passion and expectation ā City Hub
Wilson has crafted an irresistible, barrelling, monologue style, packed with quick jokes ā some of which are pleasingly sharp⦠āCassie Tongue
Grace Wilsonās writing perfectly captures the distraught, personal moments of āGiaāsā life that feels both singular to her and universal to many women in the room ā Stage Door Podcast
Grace Wilsonās writing is naturalistic and relatable, encouraging audiences to relate to Gia as she shares her story. The work feels both intellectually engaged and emotionally resonant ā State of The Arts
With wit, verbal dexterity, and gimlet-eyed perception, Wilson dissects societyās ā and the theatre worldās ā hypocrisy and double standards regarding sexism and ageism ā WhatāsOn Sydney